You Should Come Again

You Should Come Again

In the “You Should Come Again” project, Stanimir Genov, known mostly for his paintings, challenges himself and the viewers with an experiment. On the one hand, he “paints” on a computer using only a code, completely excluding the motor habits of the hand. The way the image is presented is also changing. On the other hand, the viewer receives part of the picture and has to read it himself. This is done by moving and expanding his field of view, as each image has dimensions that exceed the screen size of the device by which it is viewed.

The picture is presented and created in the form of a website that is both media and exhibition space. In this way, the painting is not revealed through reproduction on the Internet, but uses the language of this platform to generate visual content.

“The most curious part of the project for me is hiding in the process. The physical body of painting is decomposed in the code rows. The instruments and the algorithm through which image crystallizes imply a completely different mental approach. I recognize it as being close to the way I associate the images with the stories they tell, at least as a sort of encoding and romanticizing the image of an event. They are the content that remains hidden behind the images and the titles.” St. Genov.

The transition from one image to another takes place by means of hidden links. Thus, the process of viewing the work develops over time, as well as in the space of the browser window, which is the viewer’s perspective. Its conditions add extra life to images. Different browsers read the code used to create the visible part of a website differently. This, together with the indirect process of “creation” of images, provides a bailiwick for happy coincidences and maintains the vitality of the process.

You can see the artwork HERE.

It’s gone / 2013

It’s gone / 2013

“It’s Gone” is an interactive animation. The represented situation is a memory of a deer in the mountain. A video of a slightly moving deer in a fog loops till there is no presence in the space where the video is screened. The video loop is controlled by a PIR sensor. If the PIR sensor detects a moving person/ object in the space, the deer calmly leaves and hides in the fog and the mountain.
The deer is not afraid, it is not running for its life. It just concedes the mountain for you.
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Innocent / 2012

Innocent / 2012

2012, 386 holes drilled in 20 days , impact drill , Sofia, block of flats #711

Innocent is a work in which the “self excusing man” from my previous piece “Excuse me”, 2008, acquires a new evolutionary form – “the guilty person”. The guilty one runs through the dark and comes into sight to generate guilt, and to reveal the essence of part of our pathological relations in society. He materializes and “rationalizes” his existence in a vicious circle of action and regret. In a manner racking both to him and to the others around, he writes on the wall with an impact drill the word “(I’M) SORRY”.

Stanimir Genov

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